music for CFCL Runway Show for String Quartet and live electronics by Hae-Sun Kang, Ivan Lebrun, Jack Stulz, Eric-Maria Couturier CFCL Vol.8 “Knit-Ware” Paris Fashion Week 26th February 2024, Palais de Tokyo
SACRIFICIUM (2023)
for Symphony Orchestra and Gusle Solo by Duisburger Philharmoniker, Ana Percevic and Konstantia Gourzi 23rd June 2023, Mercatorhalle Duisburg
Winds of Fuji (2023)
for shakuhachi and recorder Tadashi Tajima and Tosiya Suzuki 9th September 2023, 34th Takefu International Music Festival
SKRIK II (2023)
for symphony orchestra by MDR Radio Symphony Orchestra 10th March 2023, MDR Klassik Leipzig
ANIMA II (2023)
for 2 voices and 6 instruments Vokalsolisten Stuttgart and Phace Ensemble 29th May 2023, Konzerthaus Vienna
AFFECTUS III (2022)
for voice and ensemble Salome Kammer and Ensemble Tempus Konnex 19th October 2022, Steintor Variete Halle
ENTROPIA (2022)
for ensemble and live electronics by Spółdzielnia Muzyczna Contemporary Ensemble 5th and 7th September 2022, Krakow and Warsaw
MANTRA (2022)
For noh voice and viola Ryoko Aoki and Yuko Hara 21st December 2022, Kioi Hall, Tokyo
EXISTO …einem kleinen Hund gewidmet… (2021/22)
for ensemble and live electronics by Phace Ensemble 8th March 2022, ORF Vienna
“PRISMA” (2020)
Instrumentation: String Quartet Arditti Quartet, Wien Modern, November 2020
“INFANS” (2020)
Instrumentation: flute, oboe, viola, cello, glass harmonica and live electronics Ensemble Intercontemporain, 13th March 2020, Philharmonie de Paris The main idea of this piece is the issue of inner child which could be linked to the personality of Wolfgang Amadeus Mozart. This idea was the base for the following musical conception: There is only one […]
“Les Images” (2019)
Two performers: Dusan Sretovic and Hristina Susak, live electronics and videoConversation between conscious and unconscious being, between emotions and time.
“ANIMA” (2018/19)
Instrumentation: trombone, cello, percussion, e-guitar, piano, sampler and live electronics By observing the two, at first sight, contrasting types of behavior: laughing and crying, and comparing them in a few aspects: psychological, emotional and acoustical, there arises the question about the difference. The rounded form of the piece shows, on one hand contrast and, on […]
Music for theatre piece “Watschenmann” (2018/19)
Instrumentation: violin, voice, live electronics + performance “Watschenmann” is a novel written by Karin Peschka. It was adapted for theatre by Berenice Hebenstreit and Michael Isenberg.
“TREE” (2018)
Violin, voice, live electronics and installation composed, installed and performed by Hristina Susak Tree is metaphor of a living being which is alive but cannot move. It symbolizes human’s transient physical existence and disability to get rid of it. The violinist and the tree are representing two aspects of One (one unit/one being): aspect of […]
“Skrik” (2017)
Instrumentation: mixed ensemble and sampler The fluctuating motive, made up of two main elements: rising and falling, is associated to the inner struggles of a human, which rise every time more and more, despite suppression. In one moment they reach the highest point. This high point is also suppressed and declines, and then the real […]
“Limes: Limits of Perception” (2016)
Installation, sound design and performance by Hristina Susak The installation represents a 3D Cartesian coordinate system with x-, y- and z-axes which symbolizes the way we perceive and understand the world around us which is being formed and limited by our senses´ abilities. The act is divided in two parts. In the first part of […]
“Tango” (2015)
Instrumentation: violin and accordion